This is an exquisite antique Edwardian marquetry inlaid mahogany square revolving bookcase, circa 1900 in date.
This exquisite revolving bookcase is made of beautiful solid mahogany and the top has been masterfully inlaid with elaborate mythical sea beasts and scroll ornaments within splendid ivorine and boxwood stringings.
It features useful revolving compartments for books with the shelves and supporting slats being held by elegant brass studs. The slats and the splendid plinth base have matching boxwood stringings.
It revolves on a solid cast iron cross-platform base. The best quality Edwardian revolving bookcases had cast iron bases, as this meant that they would be sturdy and not tip when full of books, whereas the lesser versions had simple wooden bases.
The quality and attention to detail throughout are second to none.
In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 86 x Width 50 x Depth 50
Dimensions in inches:
Height 33.9 x Width 19.7 x Depth 19.7
Edwardian Period (1900 – 1910)
The Edwardian era saw the beginning of a new century with a new king and a new style of interior design. The heavy, dark, cluttered look of the Victorian era was gone, and in its place, something much lighter and more cheerful.
Some of the most famous designer for this era include:
Thomas Sheraton -furniture
Louis Comfort Tiffany- lighting
René Lalique- glassware
This early 20th century style had an eclectic feel to it, and drew from elements of Georgian, Medieval and Tudor style. Light, airy, and simplicity of detail were key principles of this era.
Bamboo and wicker was the material of preference in Edwardian times. This added to the already delicate and breezy nature of the style. Other furniture was reproductions, drawing influence from baroque, rococo and empire style. The wing chair is a classic shape, and upholstery favoured chintz and damask in pale colours.
Shifting away from the darkness of the Victorian interior, colours were fresh and light, with an informal feel. Patterns were feminine, with flowers and floral designs being highly favoured. Colours were predominantly pastels: blue, lilacs, greens, yellows and grays. The floral theme was complemented by the liberal use of fresh flower arrangements. Living rooms often took darker colours such as dark green for fabrics, complemented with cream walls.
is probably one of the largest ‘families’ of hardwood, having many different varieties within its own species.
Mahogany has been used for centuries in ship building, house building, furniture making etc and is the core structure of just about every 19th century vanity box, dressing case or jewellery box. It became more of a Victorian trend to dress Mahogany with these decorative veneers, such as Rosewood, Kingwood, Burr Walnut and Coromandel, so that the actual Mahogany was almost hidden from view.
Mahogany itself is a rich reddish brown wood that can range from being plain in appearance to something that is so vibrant, figured and almost three dimensional in effect.
Although Mahogany was most often used in its solid form, it also provided some beautifully figured varieties of veneer like ‘Flame’ Mahogany and ‘Fiddleback’ Mahogany (named after its preferred use in the manufacture of fine musical instruments).
Cuban Mahogany was so sought after, that by the late 1850′s, this particular variety became all but extinct.
is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian “Cosmati”-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the “hardstones” used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing shell and brass with pewter in arabesque or intricately foliate designs.
Our reference: 09849