Object Description
This is a lovely antique Victorian dining suite comprising a burr walnut and marquetry loo table, circa 1860 in date, and a set of six Vintage balloon back dining chairs.
The circular 4ft 6 inch diameter table top features superb inlaid scrolling floral marquetry decorationon a striking burr walnut ground.
The base has been hand carved from solid walnut. It has a central column raised on three carved cabriole legs each with its original brass and porcelain recessed castor. The foliate carving on the base has been beautifully accomplished.
The vintage set of six balloon back dining chairs date from second half of the 20th Century.
These chairs have been masterfully handcrafted in beautiful solid walnut throughout and the finish and attention to detail on display are truly breathtaking.
The chairs feature an attractive balloon back design and seats that have been upholstered in the finest golden damask fabric.
This piece is truly unique and is guaranteed to bring beauty and charm to your home for many years to come.
Condition:
In excellent condition the table and chairs having been beautifully cleaned, polished and waxed and the chairs reupholstered in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 71 x Width 137 x Depth 137 – Table
Height 89 x Width 54 x Depth 51 – Chairs
Dimensions in inches:
Height 2 foot, 4 inches x Width 4 foot, 6 inches x Depth 4 foot, 6 inches – Table
Height 2 foot, 11 inches x Width 1 foot, 9 inches x Depth 1 foot, 8 inches – Chairs
Loo table
is a table model from the 18th and 19th centuries, originally designed for the card game loo, which was also known as lanterloo.
The typical loo table has an oval or round top, and a hinged mechanism fitted to a pedestal base, enabling the table to be easily stored when not in use. Sometimes, antique dealers call any table with a folding mechanism for a “loo table”, even if the table top is square or rectangular.
A loo-table stands in the hall at Midnight Place in the children’s fiction book Midnight is a Place by Joan Aiken.
Game loo, formerly lanterloo – gambling card game often mentioned in English literature. The name derives from the French lanturlu, the refrain of a popular 17th-century song. Popularity of the game faded in the 20th century.
The players may number from five to about nine, each playing for himself. A standard 52-card deck is used. In the simplest form of the game, three cards are dealt to each player, and the next card is exposed to establish a trump suit. The player to the left of the dealer leads, and one-third of the poolgoes to the winner of each trick. The pool is formed by antes before each deal and may be increased by payments for loo (failure to win a trick) and fines for irregularities.
Burr Walnut
refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.
Marquetry
is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian “Cosmati”-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the “hardstones” used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
Our reference: A2554a