Ferdinand Barbedienne (1810-1892) was the inspiration and driving force behind one of the most important French art foundries. He pioneered the use of mounts and, more commonly, bronze sculpture including figures and animals. Barbedienne produced catalogues of bronze reproductions of Greek and Roman classical sculpture and experimented with champlève and cloisonné enamels during the third quarter of the century. Barbedienne exhibited several pieces of furniture at the 1855 Paris Exhibition including an ormolu mounted oak dressing table and an ormolu mounted ebony veneered bookcase. Both pieces were executed in his favoured Renaissance revival style for furniture. Furniture with mounts signed by Barbedienne is extremely rare.
The Barbedienne foundry handled the casting of numerous national monuments and architectural schemes. Ferdinand Barbedienne himself also took an active part in the promotion of contemporary sculpture and became one of the founders for David d’Angers’ medallions as well as much of Rude’s sculpture.
His signature varied from hand written capitals to stamp in capitals, usually ‘F. Barbedienne, Fondeur’ or ‘BARBEDIENNE PARIS’.
In 1839 Barbedienne collaborated with the inventor Achille Collas who had succeeded in enlarging and reducing works of art to arbitrary sizes by a simple mathematical calculation, allowing the accurate reduction of classical and contemporary marbles for the purpose of reproduction in bronze. In 1850 Barbedienne was commissioned to furnish the Paris town hall for which he was awarded with the médaille d’honneur at the Paris Exposition Universelle in 1855.
Emile Coriolan Hippolyte Guillemin (1841- 1907) was born in Paris, he studied under his father, the painter Emile Marie Guillemin, and was also a pupil of Salmson.
He made his debut at the Salon in 1870 with a pair of Roman gladiators, later winning a Honourable Mention for Sculpture in 1897.
Guillemin covered a wide range of subjects, but normally figurative (most commonly biblical figures, groups or portrait busts of his contemporaries), specialising in ethnographic works he was particularly renowned as a proponent of the Orientalist movement.