Object Literature
Verso the canvas is reassuringly stamped for the French artists’ supplier Vve M. Chabod et Cie who was a dealer of canvas support and colours in Paris between 1860 and 1905. The stamp has the following inscription ‘Vve M. CHABOD & Cie / Mds de COULEURS / EXTRA FINES / TOILES à TABLEAUX / RUE JACOB 20’. As the stamp is of an artists’ supplier it can be concluded that the canvas was manufactured industrially and probably the canvas was supplied stretched. We cannot find any information on the artist but further research may prove fruitful.
The year of 1893 in France saw the massacre of Italian workers of the Compagnie des Salins du Midi in Aigues-Mortes by French villagers and workers with anti-French riots erupting in Italy. The year also saw the Ivory Coast becoming a French colony and the first car number plates in Paris.
The picture has a beautifully serene and masterfully dreamy appeal to it, the fact we cannot see the sitters face is intriguing and her stance is brilliantly captured by the artist, whose grasp of light and shadow is superb. The moody ground is hugely atmospheric, vaulting from seeweed to midnight greens, almost akin to the might deep of the oceans.
A spellbinding artwork of a natural beauty that bears an aura that proves too difficult to articulate.