Object Literature
Silver decanter labels, or bottle tickets, emerged in the 18th century as practical identifiers for cut-glass decanters, particularly within grand dining settings. By the later twentieth century they were revived in sterling silver as both functional and novelty pieces. Examples bearing standard spirits are commonplace; however those engraved with more unusual or macabre wording such as “Poison” were produced in far smaller numbers and have a distinctly decorative rather than practical intent. The choice of word nods to apothecary traditions, gothic interiors, and the long-standing aesthetic fascination with danger and the forbidden. Though modest in scale, it carries undeniable theatrical presence; a small object with disproportionate impact.
The origins of CJ Vander date back to Alexander Macrae who established his business in 1856 (32 Bow Street, Covent Garden, London). In 1870, he entered in partnership with Martin Goldstein changing the firm’s name to Macrae & Goldstein. The partnership was dissolved in 1878 and Martin Goldstein continued to trade under his own name until 1886, when he sold the firm to Cornelius Joshua Vander (1837 – 1904).
A scarce and quietly subversive object; equally at home draped across a dark glass apothecary bottle or resting within a cabinet of curiosities; small, witty, and just a little wicked.