Object Description
From our collection of Japanese metalwork of the late 19th Century, this magnificent example of Meiji-era craftsmanship in the form of a Koro (incense burner).
The central vessel is bulbous in form and features high-relief multi-metal decoration in Shakudo, Shibuichi and Gilt Bronze. A peach-shaped panel depicts a Buddhist Monk with an Oni attentnat. The monk holds a small Shrine in one hand and a string of prayer beads in the other. The Oni carries the Monks staff.
The reverse has a panel of equal skill and rendering, depicting a pair of Pheasants among a flowering Peony.
The vessel rests on tall, curved legs with Dragon like Oni-head detailing near the knees, the tongues forming the paint part of the legs. Beneath the body, within the open framework, stands a serene bronze figure of Kannon (the bodhisattva of compassion) her robes blow softly in the wind, she makes the circle mudra with both her hands symbolising wisdom.
The cover is decorated with floral motifs, textured with a Geometric stamp and bordered with Gilt brands. The finial, which could stand alone a an impressive Okimono in its own right, is in the form a finely modelled figure of a young child pointing skywards. The child is accompanied by a Red-crowned Crane. The Crane is a symbol of longevity and auspiciousness in Japanese culture.
A Koro such as this would likely have been made for displaying at one of the Great Expositions a the end of the 19th Century / dawn of the 20th Century. It would have been one of the centrepieces showing the impressive level of skill that Japanese metalworkers of the time possessed.