Object Description
A superb burr walnut and birdseye maple marquetry work / sewing table, Circa 1860 in date
The ornately floral marquetry inlaid octagonal hinged top with a central star motif within borders of confronting scrollwork and birds, the cover underside with further vine marquetry, above a fitted and fabric lined interior, the conforming stem tapering through a gadrooned knop to three splayed legs with scrolled feet.
Complete with working lock and key.
There is no mistaking the fine craftsmanship of this handsome table which is certain to become a treasured addition to your furniture collection.
Condition:
In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 75 x Width 47 x Depth 47
Dimensions in inches:
Height 2 foot, 5 inches x Width 1 foot, 6 inches x Depth 1 foot, 6 inches
Burr Walnut refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.
Marquetry
is decorative artistry where pieces of material of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian “Cosmati”-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the “hardstones” used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
Our reference: A3412