Object Description
This beautiful oil on canvas painting by Jane Vivian (Active 1869-1890) beautifully captures a stunning Venetian Scene, The Doges Palace, Circa 1880 in date.
The Doges Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace included government offices, a jail, and the residence of the Doge of Venice, the elected authority of the former Republic of Venice.
This beautiful painting captures a striking view of the palace, it features a focal point showing a large sailing boat, other boats and gondolas with hordes of people strolling and crossing the bridge alongside the buildings, this wonderful perspective draws your eyes down and shows Venice at work.
It is housed in it’s original and beautiful gilt gallery frame and is signed lower left.
Auctions:
Jane Vivian is a British painter. Many works by the artist have been sold at auction, including ‘On the Grand Canal, looking towards the Ca’ labia, Venice’ sold at Christie’s South Kensington ‘British and Victorian Pictures’ in 2006 for $20,945.
Condition:
In really excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 75 cm x Width 66 cm x Depth 4 cm – Frame
Height 59 cm x Width 50 cm – Canvas
Dimensions in inches:
Height 2 foot, 5 inches x Width 2 foot, 2 inches x Depth 2 inches – Frame
Height 1 foot, 11 inches x Width 1 foot, 8 inches – Canvas
Jane Vivian de Fleury ( Active 1869-1890 )
Jane Vivian was a landscape painter who lived in London. She is known particularly for her views of Venice and exhibited a number of works at the Society of British Artists, including views of Venice, Bruges, and Rouen. She also exhibited at several provincial galleries including the Royal Society of Artists, Birmingham, The Walker Art Gallery in Liverpool, Manchester City Gallery, and the Royal Hibernian Academy.
She came from a dynasty of topographical artists who worked and lived in England.
J de Fleury was active and successful from 1799 to 1823. He was a landscape painter who mainly worked in Wales but lived in London and was a regular exhibitor in the major London exhibitions between 1799 & 1823.
His son J. Vivian de Fleury painted mainly abroad, and specialized in views of Switzerland and Italy. He exhibited between 1847 & 1868 and had many addresses in London during this time.
Miss J. Vivian first exhibits a view of Venice from a London address in 1869 and continues to exhibit mainly Italian views until 1877. Around 1880 she seems to have moved, as did her father, as their next exhibiting address is Islington Row, Birmingham where she continued to exhibit work until 1888. The name J.V. de Fleury reappears at the Birmingham Society exhibitions in 1892 & 1893. Her work shows an attention to detail that is a reflection of her father’s technique but there is a lightness of touch and softness in the palate, which is considered even finer.
The Doge’s Palace
is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace included government offices, a jail, and the residence of the Doge of Venice, the elected authority of the former Republic of Venice.
The Doge’s Palace was the heart of the political life and public administration of the Venetian Republic. Therefore, when the Republic fell in 1797, its role inevitably changed. Venice was firstly subjected to French rule, then to Austrian, and ultimately, in 1866, it became part of a united Italy.
The Bridge of Sighs in Venice got its name because it was believed that prisoners would sigh as they crossed it, taking one last look at the city before being imprisoned. The bridge, which connects the Doge’s Palace to the New Prison, is enclosed, and the sighs were thought to be from those who knew it was their final glimpse of freedom.
Our reference: A4565